Manual Davids Jungle Song - Score

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Back then, I felt it was almost like cheating to have a drum. Homo habilis, maybe? As it is, things turned out O. He has managed, over nearly half a century, to find major record labels more than happy to subsidize him he is currently with Nonesuch, a division of Warner Bros. Tom Newman, too, is a big-deal film composer, a time Oscar nominee who has collaborated regularly with Steven Soderbergh, Andrew Stanton, and Sam Mendes. And James Cameron was going down there, in a bathysphere, to stop me from lowering the bar any lower.

I asked Newman if he was wounded by the parody. Those guys are either fans of mine or they want the government to investigate me. Nevertheless, Newman grants that he has led something of a charmed life, even if the albums he puts out under his own name achieve only bijou sales. Elvis Costello, in a telephone interview, went further than merely affirming that Newman is good, acknowledging a significant artistic debt.

Lenny, born in , was two years older than Randy, but the two boys were best buddies more or less from the nursery onward. In those days, before Pro Tools, click tracks, and little video monitors, the sight of movie music being made was a majestic thing to behold: Al Newman on the podium, arms waving, eyes trained on a giant screen before him, watching a projection of a work print of the newest Fox movie— All About Eve, perhaps, or The Robe —while an piece orchestra faced him, following his cues.

The boys sat right on the soundstage, in chairs some distance from the musicians. It screwed me up—it still does. It all had a major impact on me. And, certainly, on Randy. There would be no such fate for Randy. The musical Newmans are as storied an Old Hollywood family as the Goldwyns, Warners, or Zanucks, if less recognized as such. As is often the case where Old Hollywood is concerned, the roots lie in the shtetl. Michael and Luba, who actually met in the U. Alfred, born to Luba when she was 17, was recognized early on as a piano prodigy.

The talkies were starting, and here was Hollywood waiting for people to come from New York who had the training, who could do music with a sense of dramatic context. The fanfare has since been re-recorded several times—twice under the baton of his son David Newman. Emil and Lionel followed Alfred into movie music, while another brother, Marc, became an agent specializing in the representation of film composers, and still another, Robert, known as Bobby, was a film-production executive, working for Goldwyn and Howard Hughes, among others. This won them the dingo dollars. However, the celebrities got the question wrong so they didn't receive any chocolate brownies.

Matthew argued that the surveys were biased and unfair. This episode was the day that Alfonso demonstrated to all the celebrities in camp the 'Carlton Dance' as well as the 'Jump on It' dance. David's view: 'Alfonso is well and truly back'. As a result of Steve winning 3 stars, the celebrities won an eel.

The celebrities had split opinions on the meal with Vincent hailing it as nice and Lucy calling it trash. Straight after dinner, Tom Jones started playing in the camp and all the celebrities began dancing the 'Carlton Dance'. It was just what the celebrities needed today - Matthew. Two celebrities were voted out of the competition this evening. They were Vincent and Matthew. This episode began with a recap of the double elimination from last night, as well as the new conflict between Alfonso and Lucy.

Kian and Alfonso also took on the next Bushtucker Trial which involved the two of them being suspended in the air on separate planks and Alfonso throwing stars back to Kian to catch. Each star was worth 2 meals for camp.


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They got all 8 stars with 14 seconds to spare. David and Lucy took on today's dingo dollar challenge. They won and the celebrities got the question correct, meaning they won some twiglets for the camp. The celebrities also took part in the challenge 'Save or Delete' meaning that if they won, they would unlock an email from a loved one.

They all managed to unlock an email for each other. There were many tears as all the letters were read. After Kian and Alfonso earning 8 stars in today's trial, the campmates won croc feet for dinner. Once again, the celebrities weren't happy with the meal. At the end of the episode, Ant and Dec revealed the next celebrity to leave the camp. This was Steve. This episode began with Ant and Dec again revealing that 2 celebrities will be departing this evening. We also looked at the celebrities reactions after the departure of Steve Davis the previous evening.

Amy was chosen to take on today's trial called 'Surf and Turf'. While Amy took on the trial, she left her bag at camp which caused disturbance among the group, once again leading to the suspicions with Amy's "makeup". This particular Bushtucker Trial involved her taking one key at a time and making her way through 3 tanks before unlocking a box to receive a star. Amy then had to repeat the process in order to try and win every star. Near the end of the trial, there was an incident involving a snake hissing at Amy, preventing here from winning the final star. In the end, she won 6 stars for camp.

This Dingo Dollar challenge was completed by Alfonso and Joey, involving them dressing up as cockroaches and searching through rubbish in order to find eggs with numbers in. After they had found all the numbers, they had to use maths to figure out a correct sum. They unlocked the dingo dollars and visited the Outback Shack. The celebrities got the question wrong and won nothing for camp. The celebrities went head to head in order to win a ticket to the 'Jungle Hot Tub Party' by playing against famous British celebrities, on a TV.

Alfonso had to spin around a fixed spot more times than Dermot O'Leary in 20 seconds. Alfonso won and got a ticket. Next, Lucy had to do last longer than Ashley Roberts doing hula hooping. She lost. Kian went ahead against Peter Andre at squirting soap out of a dispenser and won. David also won. Rebecca went ahead against Janet Street-Porter in unravelling a sellotape reel. Joey went against Stephen Mulhern in 'Ping-Pong Pickup', which involved Joey holding Ping-Pong balls in his mouth and transferring them from one box to another, resulting in Joey winning.

Amy went against Mel B and had to name as many animals as she could in an allotted number of time. She won a ticket also. An extra prize whilst at the party was Strawberries dipped in Chocolate and Kian and Alfonso volunteered. They had to transfer eggs individually using their mouths. The celebrities were also intrigued by Amy and Joey cooking, even though they dropped the rump steak on the floor!

The 5 winners of the 'Star Wars' challenge were rewarded with a trip to the hot-tub. However, Lucy and Rebecca were left behind. This gave them time alone to discuss their views about the other celebrities. The celebrities in the hot-tub also spoke about how being on the show had affected their life so far.

Ant and Dec made their way into camp to reveal that Alfonso, after many times being in the bottom two and Rebecca would be leaving. This episode began recapping the news that Rebecca and Alfonso left yesterday and the celebrities views with this - Kian and Amy became emotional.

All the celebrities took part in the traditional trial - Celebrity Cyclone today. They got all 5 stars in total. David and Amy also did today's Dingo Dollar challenge resulting in them getting Dingo Dollars into a bag before a visit to the Outback Shack. The celebrities got the question wrong so didn't win a treat. Once again, contraband has been announced as being in camp. This is the 3rd time.

If no contraband was handed in, the celebrities would only be rewarded with 2 meals instead of 5. However, Amy handed in the required contraband and finally "ContrabandGate" has been laid to rest The celebrities also competed in a game to earn calls for loved ones. They had to find telephone numbers hidden around the camp which had 5 that were invalid and 5 that connect them to loved ones.

Everyone apart from Kian got to speak to their loved ones. They had fish for dinner as a result for them winning 5 stars in the Bushtucker Trial. Ant and Dec made their way into camp to announce that Amy and Joey will leave the camp forever. This episode began with a recap of the loss of Joey and Amy the previous night.

The celebrities were shocked, particularly at the loss of Joey, and were even bordering on tears. Kian also spoke about his life in Westlife. The trial today was compulsory for all the celebrities and was called, 'In a Spin'. This involved each of them sitting in a spinnable "cot" along with various jungle creatures: Lucy had a Monitor Lizard, Kian rats and David some snakes which were particularly "friendly" and one even went up his t-shirt.

They managed to earn 2 of the 3 stars. All the celebrities spoke more about the contraband scandal and discussed their views on Amy. Next, they played a game called, 'With a Little Help From Our Friends', which involved the evicted celebrities answering general knowledge questions about a particular category in order to win lost Dingo Dollar Challenge prizes. Next the celebrities spoke about their views of I'm a Celebrity, David thought it was an illusion, Lucy thought she would be scared of the people but was wrong and Kian felt it had brought all the celebrities closer together.

After winning 2 stars, the celebrities were rewarded with Wallaby Sausages for dinner, which they had with their Baked Beans - see above. Over dinner, they began to reminisce about their previous campmates. At the end of the episode, Lucy was announced to be leaving the camp and taking 3rd place. The final episode of this series kicked off with a recap of the loss of Lucy the previous night. The final Bushtucker Trial of the series was compulsory and called, 'Final Feast'. It involved David and Kian each eating various things in order to win a 3 course meal along with beverages.

They got to pick their own food and David went for a main-course of Steak whereas Kian went for a Cheeseburger. The song has a busy lyric listing the many wonders of life on land, and the music is equally rapid and bouncy. Alice lets her imagination run free and pictures marvelous things in far-off places, the music soaring gently and the lyric filled with poetic images.

The ballad was cut when it was deemed too low-key for the character and because Kathryn Beaumont, who provided the voice of Alice, had trouble singing it. Bobby McFerrin sang the song in a recording of the complete Cinderella score. Diane Lampert and Richard Loring wrote the carefree number, which is in keeping with the nature of the title character, an independent orphan boy who runs away to join the circus. Mike Greene wrote the simple jazz number, which is sung over the opening credits as Nye is seen floating through a montage of science images.

In counterpoint to their jaunty song, Nora sings her observations of the disreputable Gogans and charges them with cruelty and abuse. Professor Owl voice of Bill Thompson instructs his classroom full of birds on how to find melody in nature. Sung by the Disney Studio Chorus over a sequence showing animated birds chirping, crickets rubbing their legs together, and wind blowing through a willow tree, the song has a pleasant tune and lyrics that are simply a list of these musical nature sounds.

Parts of the movie, sometimes listed as Melody Adventures in Music , were used in the film 3D Jamboree that was shown at the Fantasyland Theater in Disneyland. Although 3-D movies did not catch on as Hollywood had hoped, this short film was a popular attraction at the theme park for many years. It was part of a planned series of movie shorts about music, but only one other one, Toot, Whistle, Plunk and Boom , was made. During the musical sequence, Donald Duck and his parrot pal Joe Carioca, reunited from The Three Caballeros , dance and frolic while a live-action Ethel Smith plays the organ.

Ernesto Nazareth composed the exotic music for the original Brazilian song and Ray Gilbert provided the nimble English lyric for the film, describing the ingredients that go into the samba. The song sequence was re-released as a movie short in Everyone in the village is eccentric and ignores the gruff sailor, but he takes it all in stride, confident that he can be happy here despite the offbeat citizens. Told by Snow White to wash up before dinner, the seven dwarfs gather outside at the water trough where Doc voice of Roy Atwell urges them to lather up with this fun song that imitates the sounds of washing, yodeling, and blubbering.

The number is punctuated by snide comments by Grumpy Pinto Colvig until the six others force him to wash as well. Trisha Yearwood sings the gentle ballad on the soundtrack after the friends Copper and Tod have a falling out and are not speaking to each other. The lyric is about longing for a friend who will follow you anywhere you go. Eliot Daniel music and Johnny Lange lyric wrote the bucolic song that describes the atmosphere of the desert at night. Bruce Belland and Robert F. Sherman wrote the list song, which is sung by a chorus over the credits, about the preparations to be made and places to visit when the Willard family goes on a vacation to Europe.

A portion of the song is sung in French. The number is reprised over the closing credits of the movie. The rapid jazz number, which invites viewers to join the cat-cop on the beat and to go bonkers with him, is sung over the action-packed opening sequence, in which Bonkers wildly bounces from one misadventure to another. Al Kasha and Joel Hirschhorn wrote the saccharine but bouncy number in which the two friends find comradeship and love even though they are so different.

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A gang of canine crooks boast that they have broken out of prison and are on a crime spree, proud of their mug shots put out by the FBI. The song pastiches rock icons from the s and s, with references to blue suede shoes and a howling harmony stolen from the Beatles. The nonsense lyric repeats itself and the accompaniment is mostly hyperactive drumming. Young lovers Joe Carder John Davidson and Alice Bower Lesley Ann Warren agree that they have put off talking about and expressing the love they have only written about to each other in letters. In a bucolic setting in the hills of Dakota, the two declare their love in the fervent but lighthearted song.

Joe and Alice reprise the number briefly at the end of the movie. Louis Armstrong made a vivacious recording of the song. Kevin Quinn and Randy Petersen wrote the number about how everyone needs a best friend and a dog is the ideal friend. It was used throughout the film as a kind of leitmotif. The boy Leonard Helperman voice of Shaun Fleming sings it to his pet dog, Spot Nathan Lane , whenever he wants to remind the canine that he is a dog, and each sings it separately when the two are separated later in the story.

Best friends and high school seniors Troy Bolton Zac Efron and Chad Danforth Corbin Bleu sit in a junkyard wondering and worrying about life after graduation. In a bonding moment, the two revert back to their childhood and the games of spies and superheroes they played in that very junkyard.

The joyous number is filled with energy that captures the playfulness of two little boys. Soon they use the various objects around the junkyard as percussion instruments, much as in the Off-Broadway show Stomp. The young kangaroo Roo voice of Jimmy Bennett and his pal Lumpy the elephant Kyle Stanger sing the confident song about their combined courage as they set off to trap the spooky Gobloon on Halloween.

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The number is reprised during the end credits of the film. The evil puppeteer Stromboli Brent Spiner learns that his star attraction, Pinocchio, has run away but he vows, with comedic brio, to be revenged on the boy and to use the stringless puppet to make his fortune. Stephen Schwartz wrote the brash character song in the style of a Rossini aria, with delightfully comic lyrics to match.

Aloysio de Oliveira sings the rhythmic number on the soundtrack with Eddy Duchin and His Orchestra, while a paintbrush creates watercolor scenes of the flora and fauna of Brazil. The song was a hit once again in with a top-selling disco version by the Richie Family. The lighthouse keeper, Lampie Mickey Rooney ; his daughter, Nora Helen Reddy ; and the runaway youth Pete Sean Marshall celebrate a bright and glorious day that reflects their friendship as they cavort around the lighthouse while the camera takes in both the characters and the landscape. The footage accompanying the song is of a spring dawn in the forest, with the morning mist rising over mountains, valleys, and streams.

Kelly Clarkson sings the number, about learning to fly, traveling to new places, and taking chances, on the soundtrack as the recent college grad Mia Thermopolis Anne Hathaway goes to Europe for the next stage of her life. The old crone describes her method for child rearing, which consists of dosages of cod liver oil and bitter treacle, scrubbing with carbonic soap, and severe punishment for whimpering and thumb sucking. The vivacious number was written for the Disney Records album Mickey Mouse Disco but was cut before the record was put to vinyl.

The song was included in the Disney aerobics album Mousercise and then was later used on occasion in the television exercise program Mousercise Sherman for the movie musical The Happiest Millionaire Philadelphia heiress Cordelia Biddle Lesley Ann Warren asks her finishing school roommate Rosemary Joyce Bulifant for lessons in how to flirt with men, and Rosemary obliges with this silly Latin number about how to be alluring.

The song soon turns into a duet in which the two girls do a wild Spanish-flavored dance in their dorm room. The music from the tango is then heard at the dance where the two try out their flirtation techniques. Adrift in the Atlantic Ocean for weeks without a breeze to propel their sails, the crew of the Hispaniola is going stir crazy and breaks out into a risible number that moves from calypso to square dancing to a conga. The sailors get so carried away that some of the cloth and human characters dress up like Carmen Miranda and cut loose before a wind comes along and everyone returns to their senses.

Sherman that is used in a folksy scene of friendship in the film Those Calloways Vermont homesteader Cam Calloway Brian Keith has spent so much of his time building a duck sanctuary in the marshes that the construction of his own home for his wife and child is far behind. As the townsfolk build the cabin, they sing the vigorous number with lyrics that list all of the things that will be accomplished by sunset. Sherman wrote the number, which entices young Jack Flagg Bryan Russell to run away from his Boston home and strike it rich out West.

After the lion Aslan informs the Pevensie siblings that they have become mature and that this will be their last visit to the enchanted land of Narnia, they magically disappear through an arbor of trees. Spektor is heard on the soundtrack singing the moving ballad about promising to return if one is called, so farewells are not needed. The spoiled princess Jasmine confesses in song that she knows she is obsessed with clothes, her hair, and other superficialities, but she likes being in the upper class and always getting her own way.

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The song was discarded when the characterization of Jasmine changed to a restless young woman who wants to escape her royal lifestyle. Kerry Butler made a playful recording of the song in Christina Milian sings the rhythm-and-blues number over the opening sequence, urging listeners to give her a call if there is trouble and she will not fail them. Hayes wrote the short march, which is sung every time the Munchkins come to the rescue and help Dorothy and her friends.

A thunderclap sounds and soon the pair are dancing and twirling in the rain. On the soundtrack, Joseph Williams and Sally Dworsky sing the thoughts of lions-in-love Simba and Nala while meerkat Timon voice of Nathan Lane and warthog Pumbaa Ernie Sabella make comments on the side about how love will destroy their trio. Although the song is a traditional pop ballad in music and words, the African tribal accompaniment gives the number a distinctive and haunting tone.

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The ballad is reprised over the closing credits of the film with a slightly altered lyric. Anneliese van der Pol also recorded the ballad in The newsboys who sell the World on New York City street corners in wake up before dawn, wearily singing of their tough life. The song is reprised in the closing sequence of the film as the boys celebrate their victory over Joseph Pulitzer in a newsboy strike. A studio chorus on the soundtrack sings the chugging number about the little engine Casey Junior, who diligently pulls the circus train loaded with elephants and other heavy cargo.

The title is a reference to the legendary train engineer Casey Jones. Although the action of the tale is animated, the song is illustrated with a series of Currier and Ives—like stills showing the crowd gathering at the ballpark. Sherman wrote the lovely song about hope for castaways of all kinds, and Mary sings it about her father, a skipper who was lost at sea near New Zealand. On a seashore, the Dodo voice of Bill Thompson organizes a method to get dry. While he stands on a rock dictating instructions, various sea creatures race around him and sing about getting dry.

When singing star Toni Braxton took over the role of Belle in , the songwriters provided this delicate song in which the heroine notices that she is a different and better person having known and fallen in love with the Beast. Susan Egan and Ashley Brown each made a poignant recording of the ballad. David Lawrence and Faye Greenberg wrote the slightly rocking number, and the Cheetah Girls sing it on the soundtrack during a wedding scene. The number is sung by Mr. Banks David Haig , who demands order and precision in his home; Mrs. Banks Linzi Hateley , who tries unsuccessfully to provide that order; and the housekeeper Mrs.

Brill Jenny Galloway , who wryly comments on the chaos in the household. The expositional number is reprised twice in the show by the same characters to illustrate the reactions to events that occur after Mary Poppins Laura Michelle Kelly arrives. Banks, Rebecca Luker as Mrs. Banks, and Jane Carr as Mrs. Sherman that is used effectively in the movie musical Mary Poppins The melody is first heard as sidewalk artist Bert Dick Van Dyke , as a one-man band, performs it for a small crowd gathered in a London park.

Although the lyric is in the vein of a nonsense song, the music has a haunting quality and the number takes on an almost reverent mood at times. In the Broadway version of Mary Poppins, Gavin Lee played Bert and sang the number, as he had in the original London production in The rhythmic rock song is sung over the opening credits of the show, boasting that no espionage job is too big or too small for the chipmunk secret agents, comparing them to Holmes and Watson. The song is performed by pop singer Mavin on the soundtrack and reveals the thoughts of Jake, who vows to travel the land and destroy evil.

The Disney Studio Chorus sings the dreamy number over the opening credits of the movie, promising Cinderella that she will live happily ever after if she gives her heart over to the possibility of such happiness. They are self-empowered girls now and are not waiting for any prince; they vow to rescue themselves from any dragons that appear. An early concept in the film had Cinderella, after being promised she could go to the ball if her chores are done, imagining herself multiplying into several girls in order to get the work completed.

The frantic, repetitive melody evokes the circles Cinderella is going in and the lyric is a tongue twister of addition and multiplication as the heroine imagines transforming from one scullery maid into a regiment of housekeepers. As the various animals on the savanna gather to pay tribute to the future Lion King named Simba, Carmen Twillie sings the entrancing number on the soundtrack with assist by Lebo M, whose African chanting made the Elton John music and Tim Rice lyric song soar to an almost spiritual level. Adult host Jimmie Dodd wrote the lively song about Thursdays having a circus theme on the show, and he sings it with the Mouseketeers, dressed as big top performers, sideshow attractions, and animal trainers.

The number then turns into a roll call in which each cast member shouts his or her name and demonstrates a circus feat. It is about scaling the heights and is the theme song for the After the success of Mary Poppins , Disney and other studios tried to re-create the special magic of that blockbuster. The Happiest Millionaire was one of their most costly attempts. Songwriters Richard M. Sherman wrote the playful march in which the head elephant, Colonel Hathi voice of J.

The Native American girl Pocahontas singing voice of Judy Kuhn shows Captain John Smith the wonders of the land in the New World, arguing that it must be preserved to be understood, and tells him he must walk in the footsteps of the Native American in order to understand her people.

Vanessa Williams reprises the ballad during the end credits of the movie, and her recording was a popular favorite. After Jack Frost Martin Short usurps Santa and turns the North Pole into a theme park, he sings this hyperbolic number about the terrific rides and attractions that are waiting for you if you are willing to pay.

The number is reprised during the end credits of the movie. Over the opening credits of the film, a bebopping male chorus, sounding much like the Beach Boys, sings the pop number about a computer who smiles and has other human characteristics. Clopin sings the Halloween-like number about the kangaroo court, which gets its name from the fact that it is a miracle if anyone is ever found innocent. A young boy dressed in cowboy gear rides his rocking horse and drifts off to sleep, fantasizing about all his Wild West adventures. The song paints a silly picture of a devious, scary creature, but when the real Cruella arrives it is clear that she is even worse than described.

Near the end of the film, the song is heard on the radio as the Radcliffes prepare for a dismal Christmas without their pet dalmatians. Newspaperman Joe Carder John Davidson urges the citizens of a Nebraska town to move north and settle in the rolling hills of Dakota, and the crowd soon joins in, singing about the land of opportunity soon to be admitted to the union. The Richard M. Mel Leven wrote the short, sprightly number, which concludes the film on a silly and joyful note.

She takes up their cause and joins them in the vibrant song and dance. In a rehearsal hall in Barcelona, the four American girls go through some elegant Spanish dance footwork, but the song Andew Seeley and Belinda sing on the soundtrack is more lite-rock than Latin. Walt Disney was fascinated with the idea of animating a sequence in which two lovers dance on the clouds. He decided to put this idea to the test while assembling his story boards for Cinderella. The song has a haunting melody and a transporting lyric for the two to sing upon their first meeting, and soon the twosome waltz through the stars atop a dance floor of clouds.

The visual idea did not reach fruition until the finale of the animated movie Sleeping Beauty in In the song of yearning, Ariel dreams of dancing to the songs that are in her heart, knowing she would be a wonderful dancer if only she had legs. Later in the episode she reprises the number with the mute mermaid Gabriella, who uses sign language to express her thoughts about dancing. The theme song, sung by a chorus over the opening credits, celebrates the master of disguise who protects the city of St.

Sebastian the Crab has staged a performance for King Triton and the royal sisters sing about who they are, all mermaids whose names begin with an A. When they introduce Ariel, the youngest princess is not there, and both the king and Sebastian are furious. In the Broadway version of The Little Mermaid, the song, by Alan Menken music and Howard Ashman lyric , was also performed by the mermaids or mersisters.

King Saul Martin Vidnovic loses his kingdom because he did not follow the word of the Lord, and the chorus, led by Samuel Peter Samuel and Jonathan Roger Bart , sings this high-powered number in judgment of their former king. Donald voice of Clarence Nash dreams that he works in a munitions factory in Nazi Germany, where he is bombarded by the patriotic song that hails Hitler every time you turn around. He finally awakes to find himself in the shadow of the Statue of Liberty, thrilled to be an American citizen. The John Scott Trotter Orchestra, with trombonist Spike Jones, recorded the song while the film was in production, but Jones thought the rendition too tame.

He formed his own band, the City Slickers, and they made a raucous recording of their own. Armando Dominguez wrote the chanting, nearly wordless song about fate, and it is sung on the soundtrack by Dora Luz while a female figure pursues a male statue over a landscape of surreal monuments and shadows. Although work began on the movie in , it was abandoned by the end of the decade, and it was Roy E. Disney who years later completed the small, weird masterwork and had it shown at an international film festival in Sherman wrote the march-tempo number, which Angie sings to his sweetheart, Cordelia Leslie Ann Warren , as they ride in his new automobile, confessing his dream of going to Detroit someday and making his name.

She reprises the number a bit later in the film, reminding Angie of his dream, and the two of them sing parts of the song again when they decide to elope and go to Detroit. Phil Collins wrote the clever duet, which is as funny as it is romantic. The group D-Tent Boyz made a music video of the number.

Friedman wrote the catchy, silly number, using the vocal background sounds Lebo M and Johnny Clegg created for the original The Lion King The kitten Ambrose, who likes to pretend to be a Wild West outlaw, runs away from home at bath time and meets the real bandit Dirty Bill voice of Billy Bletcher. When Ambrose asks Bill if he ever bathes, the outlaw answers with this merry ditty, a pledge to remain forever unwashed, and Ambrose joins in singing the number.

Tom Snow music and Dean Pitchford lyric wrote the rhythmic song, which promises thrills, chills, and spills in the action-packed cartoons to follow. The sinister pipe organ Forte voice of Tim Curry wants to remain as he is and tries to dissuade the Beast from having tender feelings for Belle by singing this heavy number. The music is a pastiche of a ponderous baroque organ piece, and the lyric argues that it is best to be alone and not emotionally involved with anything or anyone.

Rooney Chad McNamara , Deedee Lisa Lennox , and Moe Doodle Jonathan Wexler sing the peppy number at the opening of each show, introducing themselves and inviting viewers to join them for musical adventure. Fred Newman and Dan Sawyer wrote the lyric-less number filled with easygoing scat singing, vocal sounds, whistling, and even everyday sound effects. It was written for the Nickelodeon series Doug, which premiered in Doug and the theme song was retained. Songwriter Gabriel sings the gentle Oscar-nominated pop song on the soundtrack, pleading for people to stop taking the planet for granted and to make an effort to save the environment.

On the day that her baby daughter, Melody, is to be presented to King Triton and other inhabitants of the sea, Ariel voice of Jodi Benson sings a lullaby to the child, then her husband Prince Eric Rob Paulsen takes them both aboard a ship for the ceremony. Both humans and land and sea creatures prepare for the festivities in song, and the crab Sebastian Samuel E.

Wright leads them all in this calypsoflavored number about everyone gathering together to cheer the baby princess. Grandpa Bower Walter Brennan sings the rhythmic number to the children in a one-room schoolhouse, beating out the pattern with his hands on the desks and telling the tale of the brave youth who kept beating his drum throughout the battle. Mark Mueller wrote the bouncy pop-rock song about how every day in Duckburg brings a new adventure, and it is sung on the soundtrack over the opening sequence of each show.

The merry circuslike number, welcoming everyone to a show like no other, is sung by a chorus over the opening sequence in which larger-than-life puppets of Dumbo and his friends arrive in circus wagons and set up for a new episode. The seven little men sing, dance, and accompany themselves on makeshift instruments as they entertain Snow White in their cottage after dinner. The song consists of jokes with no meaning, sing-along sections, and high-flying yodeling. Tigger voice of Jim Cummings sings the number to the kangaroo Roo Jimmy Bennett , who is too young to remember his first Easter.

Roo later reprises the song, at a slower tempo, as he sits in bed and makes an Easter card for Rabbit. At the end of the film, Rabbit Ken Sansom and the other characters in the Hundred Acre Wood sing it once again after Rabbit has learned that the holiday is about having fun, not about having Easter rules. Although she loves the Egyptian captain Radames Adam Pascal , Aida knows she must work to help free her fellow Nubians from Egyptian slavery. Forgetting him will be easy, she argues, until she thinks of how much she loves Radames. Tina Turner recorded the song before Aida opened on Broadway.

James points out that they are, in fact, riding on their dinner, and all sing this jolly list song about their favorite foods as they munch on the peach. The happy bluegrass number, complete with whistling and rhythmic guitar, is sung by a male trio over the opening credits. The lyric introduces the twins and argues that life is a learning game, so viewers should use their heads like the twins do. Sherman for the film fantasy Bedknobs and Broomsticks The charlatan magician Professor Brown David Tomlinson sings the peppy, march-tempo number to Miss Price, proclaiming her wondrous talents and trying to get her to go into show business with him.

Miss Price responds in song, saying her magic is for more important things, such as the war effort in The Egyptian captain Radames Adam Pascal and the Nubian princess Aida Heather Headley find the world complicated with ambition and pretense but believe that their love is simple and pure and they can avoid the elaborate snares in life. The two lovers reprise the ballad near the end of the musical when they are sentenced to die by being entombed together.

Headley made a solo recording of the ballad before the musical opened on Broadway, and there was a later duet version by Vanessa A. Jones and Sean McDermott. Sammy Fain music and Sammy Cahn lyric wrote the jolly number about the talents of Captain Hook, and it is sung by the pirates on board their ship as they celebrate the capture of Wendy, Michael, John, and the Lost Boys. The silly hornpipe dance that follows nearly convinces the boys to sign up and become pirates until Wendy reminds them that Peter is sure to rescue them all.

Lee Wilkof and Gregory Jbara made a playful duet recording of the song.


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  • Throughout the tale, about a puny little elephant named Goliath II who tries to prove to his father, Goliath, that he can be brave, the elephant herd goes on the march and is accompanied by this memorable musical piece in which trombones and tubas make the sounds for the moving elephants. The music was popular with marching bands for many years. A chorus sings the pastiche college fight song while Kuzco, the self-centered emperor with attitude, is seen bouncing around the school campus trying to keep all the focus on himself.

    Aida argues that he can change his fate, whereas she is a slave and cannot. The poignant duet links the two very different people and paves the way for their love story. At the end of the musical, Radames and Aida reprise the song as they are entombed together to die. Dru Hill recorded the song before Aida opened on Broadway. The spirited number claims that the best way to solve your curiosity about anything in the world is to open the encyclopedia. He is accompanied by a chorus, who remind him that even the longest night is followed by sunrise.

    The character-driven number bemoans the troubles of a monarch and his worst enemy: his internal doubts and conflicts. Alan Menken composed the regal melody and Tim Rice wrote the incisive lyric. Sherman for the adventure film In Search of the Castaways The search party has survived a flash flood by taking refuge in a tree, and the next morning Professor Jacques Paganel Maurice Chevalier and Mary Grant Hayley Mills look on the bright side of life and sing the cheerful ditty as they prepare a breakfast made from leaves, eggs, fish, and other natural ingredients.

    As the Ark of the Covenant is brought into the city of Jerusalem, the crowd sings this Middle Eastern—flavored number. Alan Menken wrote the vibrant music and Tim Rice penned the lyric, which is inspired by Psalm Alan Menken music and Stephen Schwartz lyric wrote the pop number about everyone believing that fairytale endings are possible, and it is sung on the soundtrack by Carrie Underwood at the end of the film in which each of the characters is seen enjoying just such a happy ending.

    The number was recorded by Jordan Pruitt. The charlatan salesman Dr. Terminus Jim Dale and his sidekick, Hoagy Red Buttons , have discovered the dragon Elliott and plot to capture him and sell his body parts as miracle cures. The two crooks sing of each anatomical part and the remedy it will bring, the list growing faster and more furious as the song progresses. In the Egyptian wing of a modern museum, the statue of the princess Amneris Sherie Rene Scott comes to life and sings of the many kinds of love stories over the centuries. When she begins to tell a story of two lovers in the land of pharaohs, the museum disappears and the story begins.

    Elton John music and Tim Rice lyrics wrote the haunting number, which is reprised at the end of the musical when the scene shifts back to the museum. During one of the animated Uncle Remus tales, Brer Rabbit voice of Johnny Lee , captured by Brer Fox and Brer Bear and about to be cooked, happily sings about his secret laughing place. Jamie Houston wrote the ballad, which is sung by estranged teenage sweethearts Troy Zac Efron and Gabriella Vanessa Anne Hudgens when they are reunited on stage during the summer talent show.

    Songwriter Harwell sings the deprecating tongue-in-cheek song, which looks upon super powers as just an everyday thing, over the final credits of the movie. Even the seemingly most useless of things have a purpose, the song argues, even if that usefulness is nonsensical to the normal brain. Although it runs only seventy-five minutes, Alice in Wonderland has more songs than any other Disney animated film. When the itinerant sailor Popeye Robin Williams arrives in the town of Sweethaven looking for his long-lost Pappy, he goes into a local restaurant where the patrons and the staff sing about the importance food has in their lives.

    Among the patrons is the always-broke Wimpy Paul Dooley , who punctuates the song with his attempts to get a hamburger on credit. Selena Gomez, who plays the daughter, Alex, in the series, sings the pop song about illusions and dreams on the soundtrack during the opening credits. Galasso , everyone sings this happy number about how nothing can be amiss now that they are all together again. The adult Tarzan Josh Strickland encounters a vision of himself as a child Daniel Manche or Alex Rutherford who is wondering what kind of creature he is.

    The ape Kala Merle Dandridge has revealed to the adult Tarzan who he really is and how she found him, and he is torn between his feelings for his ape family and his newfound human existence. He comes to the conclusion that he is indeed a man and must pattern his future after that fact. Collins made an effective solo recording of the ballad. The jumping sequence climaxes as the Paris townhouse where the jam session is taking place collapses from all the jubilant music. Laverne singing voice of Mary Jay Clough , Victor Charles Kimbrough , and Hugo Jason Alexander , the gargoyles who perch atop the cathedral, are thrilled to see their friend Quasimodo in love and sing this catchy song of celebration, which is soon picked up by the citizens of Paris and is heard across the city.

    The number soon grows into an elaborate production number in and around the swimming pool. David Lawrence and Faye Greenberg wrote the wry and revealing character song. The pioneer Davy Crockett penned a poem the night before the attack on the Alamo, looking back with thanks on the many blessings he had enjoyed throughout his life and urging Americans to fight for their beliefs even as he saw certain defeat facing him the next day. George Bruns set the poem to music and it is sung by Crockett Fess Parker in a pensive moment in the film.

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    In order to distract the villains, the chipmunk sleuths Chip and Dale disguise themselves as chorus girls in a casino floor show and sing this vibrant musical salute to the mobster Fat Cat, who owns the place. Soon everyone in the club joins in, including Fat Cat himself, who proclaims he has nine lives to burn on the dance floor. The Genie voice of Robin Williams welcomes Cassim Merwin Foard , the long-lost father of Aladdin Brad Kane , to the palace and lists all the things they can do as father and son as they make up for lost time. The number was expanded for the Broadway version of The Little Mermaid, and Glenn Slater wrote additional lyrics, which were sung by the sailors and Eric Sean Palmer.

    Paul J. Smith and Arthur Quenzer wrote the catchy ditty, in which Willie boasts that he can turn himself into anything if he uses the magic words of the title. Sherman sung by the title character in the film musical Mary Poppins The nanny Mary Julie Andrews puts her two charges to bed and sings to them of the old Bird Woman, who sits on the steps of St. As Mary sings, the scene dissolves to a dreamy view of St. Louis Prima and Gia Maione made a duet recording of the ballad. The sinister Yzma voice of Kitt urges the naive chef Kronk to help her sell her fake youth potion so that both of them can become rich, conjuring up a Las Vegas—like production number in which they are showered with gold coins.

    The number is also reprised by Kitt at a slower tempo during the end credits of the video. Kenai, a Native American who has been transformed into a bear, brings his human sweetheart Nika to the waterfall where they once forged their love, and the two realize that their old feelings are still there. The tender lyric is about discovering an old friend and picking up where you left off. Melissa Etheridge and Josh Kelly sing the ballad on the soundtrack during the scene and the song is heard again during the closing credits of the video.